FORE:
Cras consequat iaculis lorem, id vehicula erat mattis quis. Vivamus laoreet velit justo, in ven e natis purus.
FORE:
Cras consequat iaculis lorem, id vehicula erat mattis quis. Vivamus laoreet velit justo, in ven e natis purus.
FORE:In the atmosphere floated a pale blue smoke, rising from a heap of weeds that some children were burning, a weird sort of incense, acrid and aromatic, fading against the too-blue sky.
Cras consequat iaculis lorem, id vehicula erat mattis quis. Vivamus laoreet velit justo, in ven e natis purus.
FORE:
Cras consequat iaculis lorem, id vehicula erat mattis quis. Vivamus laoreet velit justo, in ven e natis purus.
FORE:Seen through the blue glass under the low, broad carapace that covered the carriage, the landscape circled past, the colour hardly subdued to that of Europe; even in the dusk, with the windows open, everything was still intolerably, crudely white, with reflections of fiery gold. Everything vibrated in the heat, and at the stations the walls after baking all day scorched you when you went near.
FORE:And side by side with history a pleasing legend tells that King Anang-Pal yearned to atone for his faults and redeem the earth from sin. So by the[Pg 220] counsels of a wise Brahmin he caused this vast iron spike to be forged by giants, to be driven into the earth and pierce the serpent Sechnaga, who upholds the world. The deed was done, but because certain disbelieving men denied that the monster was dead, the king caused the weapon to be pulled up, and at the end of it behold the stain of blood; so the iron beam was driven in again. But the spell was brokenthe creature had escaped. The column remained unstable, prefiguring the end of the dynasty of Anang, and the serpent still works his wicked will.One temple to Buddha only, on an elongated plan, ends in a vault forming a bulb-shaped cupola supported on massive columns, quite Byzantine in character and wholly unexpected. The dim light, coming in only through a low door and two small windows filled in with pierced carving, enhances the impression of being in some ancient European fane, and the Buddha on the high altar has a look of suffering and emaciation that suggests a work of the fourteenth century.
FORE:Music attracted us to where the cross-roads met, darboukhas struck with rapid fingers and a bagpipe droning out a lively tune. The musicians sat among stones and bricks, tapping in quick time on their ass's-skin drums, beating a measure for some masons to work to. Women carried the bricks men spread the mortar; they all sang and worked with almost dancing movements in time with the music, as if they were at play.
FORE:A humble poet, more venerated than the kings whose superb mausoleums are crumbling to dust in subjugated India, who, though she forgets her past, is still true to her dreams.
FORE:In the chapel of the building through which I passed to go down to the tomb of La Martinire, two students, seated American fashion, with their feet on the back of the bench in front of them, were reading the Times of India and smoking cigarettes.So, after waiting for the reply of the gentleman whose business it was to give me this free pass, seeing that he could not make up his mind, I left the town without it.
